Israeli ceramicist Ronit Baranga‘s “body of work” is unsettling, to say the least. Sculpted from clay, realistic fingers emerge from plates while mouths lurk inside cups. The gnarled fingers and lips seem poised for action. We would most certainly hesitate before using any of these for fear of being bitten.

The mouth is an interesting element for ceramic tableware as its main purpose, at least conventionally, has been to carry food and drink until it reaches the mouth. “I chose to deal with ‘mouth’ as a metaphoric connotation to a border gate,” said Baranga in an interview late last year. “A border between the inner body and the external environment surrounding it.”

Ronit Baranga’s curious works, which blur the border between living and still, were most recently part of the two group exhibitions at Bet-Binyamini Contemporary Ceramics Center in Tel-Aviv.

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