“The group of sculptures describes a man who has been set free of sin, represented by the net into which the Genoese artist put all his extraordinary skill,” they write. “A little-winged spirit, with a small flame on his forehead, a symbol of human intellect, helps the man to free himself from the intricate netting while pointing to the globe at his feet, symbol of worldly passions. An open book rests on the globe; it is the Bible, a sacred text, but also one of the three “great lights” of Masonry. The bas-relief on the pedestal, with the story of Jesus restoring sight to the blind, accompanies and strengthens the meaning of the allegory.”

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